NCERT Solutions for Class 12 English Kaleidoscope Poetry Chapter 2 Poems by John Milton – On Time and On Shakespear – updated for Session 2026-27. Get here Class 12 English Kaleidoscope Poe2 Question Answers, English to Hindi Translation, Summary and Extra question answers for exam. In On Time, Milton challenges the power of time, arguing that earthly things are mortal and trivial, while the soul ultimately triumphs through eternity. In On Shakespear, he pays tribute to the genius of Shakespeare, claiming that true immortality lies not in stone monuments but in the hearts and minds of readers. Both poems reflect Milton’s deep faith, intellectual brilliance and mastery of language.

Chapter 2 At a Glance – Key Details

FeatureDetails
Chapter NamePoems by Milton
PoetJohn Milton (1608โ€“1674)
BookKaleidoscope (Class 12 CBSE)
Number of PoemsTwo – On Time & On Shakespear
Difficulty LevelModerate

NCERT Class 12 English Kaleidoscope Poem 2 Solutions

Class 12 English Kaleidoscope Poetry Chapter 2 Question Answer

Poems by Milton – Understanding the Poem

1. Why was the poet pitted the fight of Time against the ‘lazy leaden-stepping hours’ and the heavy Plummets pace’?

Answer:
Milton personifies Time as a greedy, envious force and challenges it to run its race quickly. However, by comparing its movement to “lazy leaden-stepping hours” and the slow, heavy pace of a plummet (the lead weight in a clock), he is being ironic. Time may feel all-powerful and threatening, but its pace is ultimately slow and heavy – it can only consume what is false, vain and mortal. The poet uses this contrast to show that despite Time’s boastful nature, it has very little real power over things that are truly divine and eternal. The imagery emphasizes that what Time destroys is worthless anyway, so its victory is meaningless.

2. What are the things associated with the temporal and what are associated with the eternal?

Answer:

Temporal (Mortal/Time’s domain)Eternal (Beyond Time’s reach)
False and vain thingsTruth, Peace and Love
Mortal dross (worthless material)Joy and divine goodness
Earthly grossnessEternity and heavenly bliss
Death and ChanceThe supreme Throne of God
Bad and corrupt thingsSouls adorned with stars

Milton clearly believes that Time can only devour what is impure and corrupt. Everything that is “sincerely good and perfectly divine” lies completely beyond Time’s reach and shines forever in eternity.

3. What guides human souls towards divinity? Who is the final winner in the race against them?

Answer:
According to Milton, it is the “heavenly guided soul” – that is, divine guidance or God’s grace – that leads human souls upward toward the supreme Throne of God. Once the soul is cleansed of all earthly grossness, it becomes “attired with stars” and sits triumphantly in eternal bliss.

The final winner in the race against Time is the human soul guided by God. At the end, Time itself is consumed by its own greediness, while the righteous soul triumphs over Death, Chance and Time together. The poem ends on a note of victory – the soul, not Time, has the last word.

On Shakespear. 1630 – Understanding the Poem

1. Why does Milton feel it is not necessary to put up a monument in stone for shakespeare?

Answer:
Milton argues that Shakespeare does not need a grand physical monument – no “piled stones,” no pyramid, no elaborate tomb – because he has already built himself a far greater and more lasting monument through his own writing. His works have created a “live-long Monument” in the hearts and minds of readers across generations. A stone structure crumbles with time, but the immortality that Shakespeare has achieved through his poetry and plays is everlasting. Physical memorials are built by human hands and are therefore perishable; Shakespeare’s true memorial is the wonder and astonishment he has inspired in every reader and that can never be destroyed.

2. What does the ‘weak witness of thy name’ refer to?

Answer:
The phrase “weak witness of thy name” refers to the physical monuments – the tombs, pyramids and piled stones – that people might build to honor Shakespeare’s memory. Milton calls these a “weak witness” because stone and marble are poor, inadequate testimonies to Shakespeare’s greatness. They can only bear silent, lifeless witness to his name, whereas his actual works speak loudly and powerfully across centuries. In Milton’s view, relying on such material structures to preserve a poet’s fame is a sign of weakness, not strength – Shakespeare’s genius is so vast that no physical structure can truly represent it.

3. How does Milton describe Shakespeare as the source of inspiration for all succeeding generations of poets?

Answer:
Milton describes Shakespeare’s influence through several powerful images. He calls him the “dear son of memory” and the “great heir of Fame” – suggesting that Shakespeare inherited the entire tradition of great poetry and carried it forward magnificently. His verses (“easie numbers”) flow so naturally that they put other poets to shame. His lines are described as “Delphic” – like the oracular pronouncements of the Oracle at Delphi – meaning they carry profound, almost prophetic wisdom that leaves a deep impression on every reader’s heart.
Milton says that Shakespeare’s writing so completely takes over the reader’s imagination (“bereaving our fancy of itself”) that readers are left awestruck and mentally overwhelmed – turned to marble by the sheer force of his genius. This depth of impact makes Shakespeare an eternal source of inspiration for every poet and writer who comes after him.

4. What is the best tribute that posterity has bestowed on Shakespeare?

Answer:
The greatest tribute that posterity has given Shakespeare, according to Milton, is not any physical monument but the immortality he lives within the hearts and minds of readers. Every reader who picks up his “unvalued Book” (a book beyond all price) is so deeply moved that they are struck into a kind of astonished stillness – made “marble with too much conceiving”. This overwhelming emotional and intellectual impact is Shakespeare’s true tomb and monument.
Milton concludes with a striking irony: Shakespeare lies “sepulchered in such pomp” – entombed so magnificently in the wonder of his readers’ minds – that even kings would wish to die for such a glorious burial. This is the highest tribute posterity can offer: that his memory is enshrined not in cold stone, but in the living admiration of every age.

Class 12 English Kaleidoscope Poetry Chapter 2 English to Hindi Translation.

Class 12 English Kaleidoscope Poem 2 Translation

John Milton began writing poetry at the age of ten. After finishing his formal education at Cambridge, he read almost everything available in Latin, Greek, Italian and English. He was appointed Latin Secretary where he worked so hard that eyestrain, from years of late night reading, caused him to become totally blind at the age of forty- five. In the final years of his life he wrote (through dictation) Paradise Lost and Paradise Regained.
Hindi Translationเคœเฅ‰เคจ เคฎเคฟเคฒเฅเคŸเคจ เคจเฅ‡ เคฆเคธ เคตเคฐเฅเคท เค•เฅ€ เค†เคฏเฅ เคฎเฅ‡เค‚ เคนเฅ€ เค•เคตเคฟเคคเคพ เคฒเคฟเค–เคจเคพ เคถเฅเคฐเฅ‚ เค•เคฐ เคฆเคฟเคฏเคพ เคฅเคพเฅค เค•เฅˆเคฎเฅเคฌเฅเคฐเคฟเคœ เคฎเฅ‡เค‚ เค…เคชเคจเฅ€ เค”เคชเคšเคพเคฐเคฟเค• เคถเคฟเค•เฅเคทเคพ เคชเฅ‚เคฐเฅ€ เค•เคฐเคจเฅ‡ เค•เฅ‡ เคฌเคพเคฆ เค‰เคจเฅเคนเฅ‹เค‚เคจเฅ‡ เคฒเฅˆเคŸเคฟเคจ, เค—เฅเคฐเฅ€เค•, เค‡เคŸเคพเคฒเคฟเคฏเคจ เค”เคฐ เค…เค‚เค—เฅเคฐเฅ‡เคœเคผเฅ€ เคฎเฅ‡เค‚ เค‰เคชเคฒเคฌเฅเคง เคฒเค—เคญเค— เคนเคฐ เคชเฅเคธเฅเคคเค• เคชเคขเคผ เคกเคพเคฒเฅ€เฅค เค‰เคจเฅเคนเฅ‡เค‚ เคฒเฅˆเคŸเคฟเคจ เคธเคšเคฟเคต เคจเคฟเคฏเฅเค•เฅเคค เค•เคฟเคฏเคพ เค—เคฏเคพ, เคœเคนเคพเค เค‰เคจเฅเคนเฅ‹เค‚เคจเฅ‡ เค‡เคคเคจเฅ€ เคฎเฅ‡เคนเคจเคค เค•เฅ€ เค•เคฟ เคตเคฐเฅเคทเฅ‹เค‚ เคคเค• เคฐเคพเคค เคฆเฅ‡เคฐ เคคเค• เคชเคขเคผเคจเฅ‡ เค•เฅ‡ เค•เคพเคฐเคฃ เค‰เคจเค•เฅ€ เค†เคเค–เฅ‹เค‚ เคชเคฐ เคฌเคนเฅเคค เคฌเฅเคฐเคพ เคชเฅเคฐเคญเคพเคต เคชเคกเคผเคพ เค”เคฐ เคชเฅˆเค‚เคคเคพเคฒเฅ€เคธ เคตเคฐเฅเคท เค•เฅ€ เค†เคฏเฅ เคฎเฅ‡เค‚ เคตเฅ‡ เคชเฅ‚เคฐเฅ€ เคคเคฐเคน เค…เค‚เคงเฅ‡ เคนเฅ‹ เค—เคเฅค เค…เคชเคจเฅ‡ เคœเฅ€เคตเคจ เค•เฅ‡ เค…เค‚เคคเคฟเคฎ เคตเคฐเฅเคทเฅ‹เค‚ เคฎเฅ‡เค‚ เค‰เคจเฅเคนเฅ‹เค‚เคจเฅ‡ เคฌเฅ‹เคฒเค•เคฐ เค…เคชเคจเฅ€ เคฎเคนเคพเคจ เค•เฅƒเคคเคฟเคฏเคพเค Paradise Lost เค”เคฐ Paradise Regained เคฒเคฟเค–เคตเคพเคˆเค‚เฅค

Fly envious Time, till thou run out thy race,
Call on the lazy leaden-stepping hours,
Whose speed is but the heavy Plummets pace;
Hindi Translationเคนเฅ‡ เคˆเคฐเฅเคทเฅเคฏเคพเคฒเฅ เคธเคฎเคฏ! เคญเคพเค—เคคเฅ‡ เคฐเคนเฅ‹ เคœเคฌ เคคเค• เคคเฅเคฎเฅเคนเคพเคฐเฅ€ เคฆเฅŒเคกเคผ เค–เคคเฅเคฎ เคจ เคนเฅ‹,
เค‰เคจ เค†เคฒเคธเฅ€, เคญเคพเคฐเฅ€ เค•เคฆเคฎเฅ‹เค‚ เคตเคพเคฒเฅ‡ เค˜เค‚เคŸเฅ‹เค‚ เค•เฅ‹ เคฌเฅเคฒเคพเค“,
เคœเคฟเคจเค•เฅ€ เค—เคคเคฟ เค•เฅ‡เคตเคฒ เคญเคพเคฐเฅ€ เคธเฅ€เคธเฅ‡ เคœเฅˆเคธเฅ€ เคงเฅ€เคฎเฅ€ เคนเฅˆเฅค

And glut thy self with what thy womb devours,
Which is no more than what is false and vain,
And merely mortal dross;
Hindi Translationเค”เคฐ เค‰เคจ เคšเฅ€เคœเคผเฅ‹เค‚ เคธเฅ‡ เค…เคชเคจเคพ เคชเฅ‡เคŸ เคญเคฐเฅ‹ เคœเฅ‹ เคคเฅเคฎเฅเคนเคพเคฐเคพ เค—เคฐเฅเคญ เคจเคฟเค—เคฒ เคœเคพเคคเคพ เคนเฅˆ,
เคœเฅ‹ เค•เฅเค› เคญเฅ€ เคจเคนเฅ€เค‚ เคฌเคธ เคเฅ‚เค เฅ€, เคตเฅเคฏเคฐเฅเคฅ,
เค”เคฐ เคจเคถเฅเคตเคฐ เคธเค‚เคธเคพเคฐ เค•เฅ€ เคคเฅเคšเฅเค› เคตเคธเฅเคคเฅเคเค เคนเฅˆเค‚เฅค

So little is our loss,
So little is thy gain.
For when as each thing bad thou hast entombโ€™d,
And last of all, thy greedy self consumโ€™d,
Hindi Translationเค‡เคธเคฒเคฟเค เคนเคฎเคพเคฐเคพ เคจเฅเค•เคธเคพเคจ เคฌเคนเฅเคค เคฅเฅ‹เคกเคผเคพ เคนเฅˆ,
เค”เคฐ เคคเฅเคฎเฅเคนเคพเคฐเคพ เคฒเคพเคญ เคญเฅ€ เคฌเคนเฅเคค เค•เคฎเฅค
เค•เฅเคฏเฅ‹เค‚เค•เคฟ เคœเคฌ เคคเฅเคฎ เคนเคฐ เคฌเฅเคฐเฅ€ เคตเคธเฅเคคเฅ เค•เฅ‹ เคฆเคซเคจเคพ เคฆเฅ‹เค—เฅ‡,
เค”เคฐ เค…เค‚เคค เคฎเฅ‡เค‚ เคธเฅเคตเคฏเค‚ เค…เคชเคจเฅ‡ เคฒเคพเคฒเคš เคฎเฅ‡เค‚ เคจเคทเฅเคŸ เคนเฅ‹ เคœเคพเค“เค—เฅ‡,

Then long Eternity shall greet our bliss
With an individual kiss;
And Joy shall overtake us as a flood,
Hindi Translationเคคเคฌ เค…เคจเค‚เคค เค•เคพเคฒ เคนเคฎเคพเคฐเฅ‡ เค†เคจเค‚เคฆ เค•เคพ เคธเฅเคตเคพเค—เคค เค•เคฐเฅ‡เค—เคพ
เคเค• เค…เคฆเฅเคตเคฟเคคเฅ€เคฏ เค”เคฐ เค…เคจเฅ‹เค–เฅ‡ เค†เคฒเคฟเค‚เค—เคจ เค•เฅ‡ เคธเคพเคฅ,
เค”เคฐ เค–เฅเคถเฅ€ เคนเคฎเฅ‡เค‚ เคเค• เคฌเคพเคขเคผ เค•เฅ€ เคคเคฐเคน เค˜เฅ‡เคฐ เคฒเฅ‡เค—เฅ€เฅค

When every thing that is sincerely good
And perfectly divine,
With Truth, and Peace, and Love shall ever shine
About the supreme Throne
Hindi Translationเคœเคฌ เคนเคฐ เคตเคน เคตเคธเฅเคคเฅ เคœเฅ‹ เคธเคšเฅเคšเฅ€ เคญเคฒเคพเคˆ เคธเฅ‡ เคญเคฐเฅ€ เคนเฅˆ,
เค”เคฐ เคชเฅ‚เคฐเฅเคฃ เคฐเฅ‚เคช เคธเฅ‡ เคฆเคฟเคตเฅเคฏ เคนเฅˆ,
เคธเคคเฅเคฏ, เคถเคพเค‚เคคเคฟ เค”เคฐ เคชเฅเคฐเฅ‡เคฎ เค•เฅ‡ เคธเคพเคฅ เคธเคฆเคพ เคšเคฎเค•เคคเฅ€ เคฐเคนเฅ‡เค—เฅ€,
เค‰เคธ เคธเคฐเฅเคตเฅ‹เคšเฅเคš เคธเคฟเค‚เคนเคพเคธเคจ เค•เฅ‡ เคšเคพเคฐเฅ‹เค‚ เค“เคฐเฅค

Of him, tโ€™whose happy-making sight alone,
When once our heavโ€™nly guided soul shall clime,
Then all this Earthy grossnes quit,
Hindi Translationเค‰เคธ เคชเคฐเคฎ เคธเคคเฅเคคเคพ เค•เฅ‡ เคฆเคฐเฅเคถเคจ เคฎเคพเคคเฅเคฐ เคธเฅ‡ เคœเฅ‹ เคธเคšเฅเคšเคพ เคธเฅเค– เคฆเฅ‡เคคเฅ€ เคนเฅˆ,
เคœเคฌ เคนเคฎเคพเคฐเฅ€ เคธเฅเคตเคฐเฅเค— เคฆเฅเคตเคพเคฐเคพ เคจเคฟเคฐเฅเคฆเฅ‡เคถเคฟเคค เค†เคคเฅเคฎเคพ เคตเคนเคพเค เคชเคนเฅเคเคšเฅ‡เค—เฅ€,
เคคเคฌ เคนเคฎ เค‡เคธ เคชเฅƒเคฅเฅเคตเฅ€ เค•เฅ€ เคธเคพเคฐเฅ€ เคธเฅเคฅเฅ‚เคฒเคคเคพ เค”เคฐ เคฎเคฒเคฟเคจเคคเคพ เค•เฅ‹ เค›เฅ‹เคกเคผ เคฆเฅ‡เค‚เค—เฅ‡เฅค

Attirโ€™d with Stars, we shall for ever sit,
Triumphing over Death, and Chance, and thee O Time.
Hindi Translationเคธเคฟเคคเคพเคฐเฅ‹เค‚ เคธเฅ‡ เคธเฅเคธเคœเฅเคœเคฟเคค เคนเฅ‹เค•เคฐ เคนเคฎ เคธเคฆเฅˆเคต เคตเคฟเคฐเคพเคœเคฎเคพเคจ เคฐเคนเฅ‡เค‚เค—เฅ‡,
เคฎเฅƒเคคเฅเคฏเฅ, เคญเคพเค—เฅเคฏ เค”เคฐ เคคเฅเคฎ โ€” เคนเฅ‡ เคธเคฎเคฏ โ€” เคชเคฐ เคธเคฆเคพ เค•เฅ‡ เคฒเคฟเค เคตเคฟเคœเคฏ เคชเคพเคคเฅ‡ เคนเฅเคเฅค
เค…เคฐเฅเคฅเคพเคค เค‡เคธ เค•เคตเคฟเคคเคพ เคฎเฅ‡เค‚ เคฎเคฟเคฒเฅเคŸเคจ เคธเคฎเคฏ เค•เฅ‹ เคฒเคฒเค•เคพเคฐเคคเฅ‡ เคนเฅˆเค‚ เค•เคฟ เคตเคน เคจเคถเฅเคตเคฐ เค”เคฐ เคเฅ‚เค เฅ€ เคšเฅ€เคœเคผเฅ‹เค‚ เค•เฅ‹ เคญเคฒเฅ‡ เคนเฅ€ เคจเคทเฅเคŸ เค•เคฐ เคฆเฅ‡, เคชเคฐเคจเฅเคคเฅ เคธเคคเฅเคฏ, เคชเฅเคฐเฅ‡เคฎ เค”เคฐ เคฆเคฟเคตเฅเคฏเคคเคพ เคชเคฐ เค‰เคธเค•เคพ เค•เฅ‹เคˆ เคตเคถ เคจเคนเฅ€เค‚เฅค เค…เค‚เคค เคฎเฅ‡เค‚ เค†เคคเฅเคฎเคพ เคฎเฅƒเคคเฅเคฏเฅ เค”เคฐ เคธเคฎเคฏ เคฆเฅ‹เคจเฅ‹เค‚ เคชเคฐ เคตเคฟเคœเคฏ เคชเฅเคฐเคพเคชเฅเคค เค•เคฐเคคเฅ€ เคนเฅˆเฅค

Class 12 English Kaleidoscope Poetry Chapter 2 Summary in English and Hindi.

Class 12 English Kaleidoscope Poem 2 Summary

On Time
In On Time, Milton personifies Time as an envious, greedy creature and commands it to run out its race. He argues that Time can only devour what is false, vain, and mortal – things of little real value. So what Time takes from us is no great loss, and what it gains is equally insignificant. Once Time has consumed all evil things and finally destroys itself, Eternity will greet the righteous soul with joy and bliss. The soul, guided by divine light, will shed its earthly impurities, be adorned with stars and sit triumphant over Death, Chance, and Time forever. Milton’s central message is that time is powerless against the truly good and divine.
Summary in Hindiเค‡เคธ เค•เคตเคฟเคคเคพ เคฎเฅ‡เค‚ เคฎเคฟเคฒเฅเคŸเคจ เคธเคฎเคฏ เค•เฅ‹ เคเค• เคˆเคฐเฅเคทเฅเคฏเคพเคฒเฅ เค”เคฐ เคฒเคพเคฒเคšเฅ€ เคถเค•เฅเคคเคฟ เค•เฅ‡ เคฐเฅ‚เคช เคฎเฅ‡เค‚ เคšเคฟเคคเฅเคฐเคฟเคค เค•เคฐเคคเฅ‡ เคนเฅˆเค‚ เค”เคฐ เค‰เคธเฅ‡ เคšเฅเคจเฅŒเคคเฅ€ เคฆเฅ‡เคคเฅ‡ เคนเฅˆเค‚เฅค เคตเฅ‡ เค•เคนเคคเฅ‡ เคนเฅˆเค‚ เค•เคฟ เคธเคฎเคฏ เค•เฅ‡เคตเคฒ เค‰เคจเฅเคนเฅ€เค‚ เคšเฅ€เคœเคผเฅ‹เค‚ เค•เฅ‹ เคจเคทเฅเคŸ เค•เคฐ เคธเค•เคคเคพ เคนเฅˆ เคœเฅ‹ เคเฅ‚เค เฅ€, เคตเฅเคฏเคฐเฅเคฅ เค”เคฐ เคจเคถเฅเคตเคฐ เคนเฅˆเค‚เฅค เค‡เคธเคฒเคฟเค เคธเคฎเคฏ เค•เฅ‡ เคœเคพเคจเฅ‡ เคธเฅ‡ เคนเคฎเคพเคฐเฅ€ เค•เฅ‹เคˆ เคฌเคกเคผเฅ€ เคนเคพเคจเคฟ เคจเคนเฅ€เค‚ เคนเฅ‹เคคเฅ€ เค”เคฐ เคธเคฎเคฏ เค•เฅ‹ เคญเฅ€ เค•เฅเค› เคตเคฟเคถเฅ‡เคท เคชเฅเคฐเคพเคชเฅเคค เคจเคนเฅ€เค‚ เคนเฅ‹เคคเคพเฅค เคœเคฌ เคธเคฎเคฏ เคธเคญเฅ€ เคฌเฅเคฐเฅ€ เคšเฅ€เคœเคผเฅ‹เค‚ เค•เฅ‹ เคจเคฟเค—เคฒ เคฒเฅ‡เค—เคพ เค”เคฐ เค…เค‚เคคเคคเคƒ เค–เฅเคฆ เค•เฅ‹ เคญเฅ€ เคจเคทเฅเคŸ เค•เคฐ เคฒเฅ‡เค—เคพ, เคคเคฌ เค…เคจเค‚เคค เค•เคพเคฒ เค†เคคเฅเคฎเคพ เค•เคพ เคธเฅเคตเคพเค—เคค เค•เคฐเฅ‡เค—เคพเฅค เค†เคคเฅเคฎเคพ เคธเคพเค‚เคธเคพเคฐเคฟเค• เค…เคถเฅเคฆเฅเคงเคฟเคฏเฅ‹เค‚ เค•เฅ‹ เคคเฅเคฏเคพเค—เค•เคฐ เคธเคฟเคคเคพเคฐเฅ‹เค‚ เคธเฅ‡ เคธเคœเฅ€ เคนเฅเคˆ เคชเคฐเคฎเฅ‡เคถเฅเคตเคฐ เค•เฅ‡ เคธเคฟเค‚เคนเคพเคธเคจ เค•เฅ‡ เคจเคฟเค•เคŸ เคฌเฅˆเค เฅ‡เค—เฅ€ เค”เคฐ เคฎเฅƒเคคเฅเคฏเฅ, เคธเค‚เคฏเฅ‹เค— เค”เคฐ เคธเคฎเคฏ เคชเคฐ เคตเคฟเคœเคฏ เคชเฅเคฐเคพเคชเฅเคค เค•เคฐเฅ‡เค—เฅ€เฅค เคฎเคฟเคฒเฅเคŸเคจ เค•เคพ เคฎเฅเค–เฅเคฏ เคธเค‚เคฆเฅ‡เคถ เคนเฅˆ เค•เคฟ เคธเคคเฅเคฏ, เคถเคพเค‚เคคเคฟ เค”เคฐ เคฆเคฟเคตเฅเคฏเคคเคพ เคชเคฐ เคธเคฎเคฏ เค•เคพ เค•เฅ‹เคˆ เค…เคงเคฟเค•เคพเคฐ เคจเคนเฅ€เค‚ เคนเฅˆเฅค

On Shakespear
In On Shakespear, Milton argues that Shakespeare needs no physical monument – no pile of stones or grand pyramid – to preserve his memory. Shakespeare has built a far greater and more lasting monument through his own writing. His words have left such a deep impression on every reader’s heart and mind that readers themselves become his living memorial. Milton says Shakespeare’s verses flow so naturally and effortlessly that they put to shame all poets who labour hard over their craft. His works are so profound that they leave readers utterly amazed – as if turned to marble with wonder. Even kings would envy such a tomb.
Summary in Hindiเค‡เคธ เค•เคตเคฟเคคเคพ เคฎเฅ‡เค‚ เคฎเคฟเคฒเฅเคŸเคจ เคถเฅ‡เค•เฅเคธเคชเคฟเคฏเคฐ เค•เฅ‹ เคถเฅเคฐเคฆเฅเคงเคพเค‚เคœเคฒเคฟ เคฆเฅ‡เคคเฅ‡ เคนเฅˆเค‚ เค”เคฐ เค•เคนเคคเฅ‡ เคนเฅˆเค‚ เค•เคฟ เคถเฅ‡เค•เฅเคธเคชเคฟเคฏเคฐ เค•เฅ‹ เคชเคคเฅเคฅเคฐ เค•เฅ€ เคธเคฎเคพเคงเคฟ เคฏเคพ เคญเคตเฅเคฏ เคชเคฟเคฐเคพเคฎเคฟเคก เค•เฅ€ เค•เฅ‹เคˆ เค†เคตเคถเฅเคฏเค•เคคเคพ เคจเคนเฅ€เค‚ เคนเฅˆเฅค เคถเฅ‡เค•เฅเคธเคชเคฟเคฏเคฐ เคจเฅ‡ เค…เคชเคจเฅ€ เค…เคฎเคฐ เคฐเคšเคจเคพเค“เค‚ เค•เฅ‡ เคฎเคพเคงเฅเคฏเคฎ เคธเฅ‡ เคชเคพเค เค•เฅ‹เค‚ เค•เฅ‡ เคนเฅƒเคฆเคฏ เคฎเฅ‡เค‚ เคเค• เคœเฅ€เคตเค‚เคค เคธเฅเคฎเคพเคฐเค• เคฌเคจเคพ เคฒเคฟเคฏเคพ เคนเฅˆเฅค เค‰เคจเค•เฅ€ เค•เคตเคฟเคคเคพเคเค เค‡เคคเคจเฅ€ เคธเคนเคœ เค”เคฐ เค—เคนเคฐเฅ€ เคนเฅˆเค‚ เค•เคฟ เคชเคพเค เค• เค‰เคจเฅเคนเฅ‡เค‚ เคชเคขเคผเค•เคฐ เค†เคถเฅเคšเคฐเฅเคฏเคšเค•เคฟเคค เคฐเคน เคœเคพเคคเฅ‡ เคนเฅˆเค‚ โ€” เคฎเคพเคจเฅ‹ เคชเคคเฅเคฅเคฐ เคฌเคจ เค—เค เคนเฅ‹เค‚เฅค เคฎเคฟเคฒเฅเคŸเคจ เค•เคนเคคเฅ‡ เคนเฅˆเค‚ เค•เคฟ เคเคธเฅ€ เคฎเคนเคพเคจ เคฐเคšเคจเคพเคเค เคนเฅ€ เคธเคšเฅเคšเฅ€ เค…เคฎเคฐเคคเคพ เคนเฅˆเค‚, เคœเคฟเคธเฅ‡ เคฆเฅ‡เค–เค•เคฐ เคฐเคพเคœเคพ เคญเฅ€ เคเคธเฅ€ เคธเคฎเคพเคงเคฟ เค•เฅ‡ เคฒเคฟเค เคคเคฐเคธเฅ‡เค‚เค—เฅ‡เฅค

Comparison Between the Two Poems

AspectOn TimeOn Shakespear
SubjectThe concept of Time and EternityShakespeare’s literary immortality
ToneDefiant and philosophicalAdmiring and celebratory
Central ImageTime as a greedy, devouring forceShakespeare’s works as a living monument
Key MessageTime destroys only mortal things; the soul is eternalNo stone tomb can match the monument Shakespeare built in readers’ hearts

Class 12 English Kaleidoscope Poem 2 Practice Question Answers

Class 12 English Kaleidoscope Poetry Chapter 2 Very Short Answer Type Questions with Explanation.

Very Short Answer Type Questions

  1. Who is the poet of On Time?
    Answer:
    John Milton.
  2. How does the poet describe Time?
    Answer:
    The poet describes Time as envious and greedy.
  3. What do the “lazy leaden-stepping hours” symbolize?
    Answer:
    They symbolize the slow passage of time.
  4. What does Time devour?
    Answer:
    Time devours all mortal and worldly things.
  5. What kind of things are called “false and vain”?
    Answer:
    Material and temporary worldly things.
  6. What will Time eventually consume?
    Answer:
    Time will eventually consume itself.
  7. What will greet human beings after Time ends?
    Answer:
    Eternity will greet them with bliss.
  8. Name any two eternal qualities mentioned in the poem.
    Answer:
    Truth and Love.
  9. What shall shine forever in Eternity?
    Answer:
    Truth, Peace and Love shall shine forever.
  10. Who guides the human soul?
    Answer:
    Divine or heavenly guidance.
  11. What will the soul leave behind?
    Answer:
    Earthly grossness and worldly limitations.
  12. What will humans be “attired” with?
    Answer:
    They will be attired with stars.
  13. Over what will humans triumph?
    Answer:
    Death, Chance and Time.
  14. What is a “Plummet”?
    Answer:
    A lead weight used in the mechanism of a clock.
  15. What is the central theme of the poem?
    Answer:
    The victory of Eternity over Time.

Class 12 English Kaleidoscope Poetry Chapter 2 Short Answer Type Questions with Explanation.

Short Answer Type Questions

  1. How does Milton personify Time in the poem?
    Answer:
    Milton personifies Time as a living being that races through life, devouring everything in its path. He describes Time as envious and greedy because it destroys worldly things. However, the poet believes that Time’s power is limited to mortal existence and cannot affect eternal truths.
  2. Why does the poet call Time “envious” and “greedy”?
    Answer:
    The poet calls Time envious because it destroys everything beautiful and valuable in the world. It is greedy because it continuously consumes all earthly things. Yet, Time only destroys temporary and material possessions, not eternal values such as Truth, Peace, and Love.
  3. Explain the significance of “lazy leaden-stepping hours.”
    Answer:
    The phrase refers to the slow movement of time as experienced by human beings. The word “leaden” suggests heaviness and dullness. Milton contrasts the rapid flight of Time with these slow-moving hours to highlight the different ways in which time is perceived.
  4. What does the poet mean by “So little is our loss, So little is thy gain”?
    Answer:
    The poet means that Time gains very little by destroying worldly things because such things are temporary and insignificant. Human beings do not suffer a great loss because their true spiritual existence belongs to Eternity and remains untouched by Time.
  5. How does the poem distinguish between mortal and eternal things?
    Answer:
    The poem presents mortal things as false, vain and temporary. These include material possessions and earthly pleasures. Eternal things include Truth, Peace, Love and the soul’s union with God. Unlike mortal things, eternal values cannot be destroyed by Time.
  6. Describe the role of Truth, Peace, and Love in the poem.
    Answer:
    Truth, Peace, and Love represent divine and eternal values. Milton believes that these qualities will shine forever in Eternity. They symbolize spiritual perfection and the ultimate happiness that awaits human souls after the end of Time.
  7. What vision of Eternity does Milton present?
    Answer:
    Milton presents Eternity as a realm of everlasting joy, bliss, and divine presence. In Eternity, the soul is free from earthly limitations and experiences perfect happiness. Truth, Peace and Love reign forever and there is no suffering or death.
  8. How does the poet express his faith in divine salvation?
    Answer:
    The poet expresses faith in the belief that the human soul is guided by heavenly forces toward God. After leaving behind earthly existence, the soul reaches the divine throne and enjoys eternal happiness. This reflects Milton’s strong Christian faith.
  9. Explain the symbolic meaning of “Attir’d with Stars.”
    Answer:
    The phrase symbolizes spiritual glory, immortality, and heavenly reward. The stars suggest purity, brightness, and closeness to God. Milton uses this image to show the soul’s transformation after attaining eternal life.
  10. Why does Milton believe that Time cannot achieve ultimate victory?
    Answer:
    Milton believes that Time can only destroy temporary and earthly things. Eternal values such as Truth, Love, Peace and the immortal soul remain beyond its reach. Therefore, Eternity ultimately defeats Time and secures lasting happiness for humanity.

Class 12 English Kaleidoscope Poetry Chapter 2 Long Answer Type Questions with Explanation.

Long Answer Type Questions

1. Discuss On Time as a poem about the triumph of Eternity over Time.

Answer:
In On Time, John Milton presents Time as a powerful force that destroys everything in the material world. He personifies Time as greedy and envious because it consumes all earthly things. However, the poet does not fear Time because he believes that its power is limited.
According to Milton, Time can only destroy things that are false, vain and mortal. Material possessions, worldly pleasures and human life itself are temporary. In contrast, spiritual values such as Truth, Peace, and Love are eternal and remain untouched by Time.
The poet imagines a future when Time will itself come to an end. After Time has consumed everything, it will finally consume itself. Then Eternity will begin. Human souls, guided by divine grace, will rise towards God and experience everlasting bliss.
Milton concludes that Eternity is the true victor. While Time governs the physical world, it cannot defeat the immortal soul or eternal values. Thus, the poem celebrates the ultimate triumph of Eternity over Time.

2. Analyse the character of Time as portrayed by Milton.

Answer:
Milton portrays Time as a powerful yet ultimately limited force. He addresses Time directly and describes it as envious, greedy and destructive. Time continually moves forward, consuming everything that belongs to the material world.
The poet compares Time to a devouring force that swallows all mortal things. However, he also suggests that Time’s achievements are insignificant because it destroys only temporary objects. Spiritual realities remain beyond its control.
Throughout the poem, Milton challenges the authority of Time. He argues that eternal values such as Truth, Peace, and Love cannot be harmed by Time. Human souls, guided by divine power, will eventually escape Time’s influence and enter Eternity.
At the end of the poem, Time itself is defeated. It consumes its own existence and disappears. Therefore, Milton presents Time as powerful in the earthly realm but powerless before God, Eternity and the immortal soul.

3. Examine the religious and philosophical ideas presented in On Time.

Answer:
On Time reflects Milton’s deep Christian faith and spiritual philosophy. The poem explores the relationship between temporary earthly life and eternal divine existence. Milton believes that human life on earth is only a small part of a greater spiritual journey.
The poem teaches that worldly possessions and pleasures are temporary. Time destroys all material things, proving that earthly life is not permanent. However, the human soul is immortal and destined for a higher existence.
Milton emphasizes the importance of divine guidance. He believes that God leads human souls towards salvation and eternal happiness. Truth, Peace, and Love are presented as divine qualities that endure forever.
The poet also expresses hope in life after death. He imagines souls reaching God’s throne and experiencing eternal joy. Through these ideas, Milton conveys a message of faith, spiritual victory and the superiority of eternal values over material concerns.

4. “Truth, Peace and Love are eternal and indestructible”. Explain with reference to the poem.

Answer:
In On Time, Milton argues that Time can destroy only worldly and material things. Physical objects, human achievements and earthly pleasures eventually disappear. However, spiritual values remain forever.
The poet specifically mentions Truth, Peace and Love as eternal qualities. These virtues are divine in nature and cannot be affected by Time. Even when all mortal things perish, these values continue to shine in Eternity.
Truth represents wisdom and reality, Peace symbolizes harmony, and Love signifies compassion and divine grace. Together, they form the foundation of spiritual perfection. Milton believes that these qualities belong to God’s eternal kingdom.
The poem suggests that human beings should focus on these lasting values rather than temporary worldly concerns. Through this message, Milton highlights the indestructible nature of Truth, Peace and Love.

5. Critically appreciate On Time as a spiritual poem.

Answer:
On Time is one of Milton’s finest spiritual poems. It deals with the universal themes of Time, mortality, eternity and divine salvation. The poem reflects the poet’s strong religious faith and philosophical outlook.
Milton personifies Time as a greedy force that destroys everything temporary. Through vivid imagery and powerful language, he presents the struggle between Time and Eternity. The poem’s central message is that spiritual values are stronger than temporal power.
The imagery of Eternity, stars, divine bliss and the heavenly throne creates a sense of spiritual grandeur. The poem is rich in symbolism, with Time representing mortality and Eternity representing immortality.
Milton’s optimistic vision inspires readers to look beyond material life and focus on lasting spiritual values. The poem ends on a note of triumph, showing humanity overcoming Death, Chance and Time itself. For these reasons, On Time remains a profound and uplifting spiritual poem.

Frequently Asked Questions

Is Class 12 Kaleidoscope Poetry Chapter 2 easy?

Chapter 2 is moderately challenging. On Time uses archaic Early Modern English and philosophical ideas about mortality and eternity, while On Shakespear is relatively more accessible since it praises a well-known figure. Once students understand the core argument of each poem – that time cannot defeat the eternal soul and that true immortality comes through great writing – both poems become much easier to analyse and answer questions on.

How to learn Class 12 English Kaleidoscope Poetry Chapter 2 in one day?

Start by reading both poems with a glossary of difficult words. Then focus on the central idea of each โ€” On Time is about the soul’s triumph over mortal time, and On Shakespear is about literary immortality. Study all textbook questions from “Understanding the Poem” for both poems and prepare short answers. Pay special attention to Milton’s use of personification in On Time and his tribute structure in On Shakespear. Revising the last two lines of each poem separately helps for exam writing.

What are the tricks to learn Kaleidoscope Poetry Chapter 2?

For On Time, remember the simple logic: Time destroys only bad and mortal things โ†’ therefore our loss is little โ†’ when Time itself ends, the good soul enters Eternity. Think of it as Time losing a race against the human soul. For On Shakespear, remember the central contrast: stone monument vs living monument. Shakespeare’s real tomb is in the hearts of readers, not in any physical structure. Connecting these core contrasts to the textbook questions makes answering in exams much faster and more structured.

What is the central theme of Milton’s On Time?

The central theme is the ultimate triumph of the righteous human soul over the destructive power of Time. Milton argues that Time can only consume things that are false, vain, and mortal – things that have no real worth. What is truly good, divine and spiritual is beyond Time’s reach. Once Time exhausts itself, Eternity welcomes the soul with everlasting joy, peace and truth. The poem reflects Milton’s deep Christian faith and his belief in the superiority of the eternal over the temporary.

What is the central theme of Milton’s On Shakespear?

The central theme is that true immortality is achieved through the power of creative genius, not through physical monuments. Milton argues that Shakespeare has erected a monument far more lasting than any stone structure – his works live on in the wonder and astonishment of every reader. The poem celebrates Shakespeare as a timeless literary giant whose effortless verse has permanently shaped the imagination of humanity across generations.

What literary devices are used in Chapter 2 of Kaleidoscope Poetry?

Milton uses a rich range of literary devices across both poems. In On Time, personification is central – Time is addressed directly as a living, envious, greedy being. Apostrophe is used when Milton speaks to Time as though it were present. Imagery of light, stars, and eternity contrasts with darkness and mortality. In On Shakespear, metaphor is prominent – Shakespeare’s works are called a “live-long Monument”. Hyperbole appears when Milton says even kings would wish to die for such a tomb, emphasising the supreme greatness of Shakespeare’s legacy.

What is the significance of Milton becoming blind while writing?

Milton’s blindness is deeply significant to understanding his poetry. He lost his sight at the age of 45 due to years of intense reading and overwork. Despite this, he went on to dictate his greatest works, including Paradise Lost and Paradise Regained. His poem On Time can be read in this personal context – Milton, unable to see the physical world, focused his vision entirely on the eternal and the divine. His blindness, rather than limiting him, deepened his philosophical and spiritual perspective.